Web 2.0 lightweight
So this will be my final blog in the series of Web 2.0 concepts. While it has been an interesting discovery, I can only see my research being cut at the stem by the ever growing possibility of early Web 3.0 release!
That being said, it brings me to an interesting Web 2.0 concept of lightweight models and cost-effective scalability.
Rather than effectively explain the concept in detail, it is much easier to relate it to a current Web 2.0 website, which is the fantastic web cartoon series Cyanide and Happiness, at the website www.explosm.net

The website is of a simple nature, with easy to use interface, which more or less allows the user to view their comic library, with a new comic added each day.
Cyanide and Happiness has seen an incredible increase in hits over the last few years, and an incredible amount of users added to the database. This addition of users and acknowledgement has seen the site introduce an advertising system with limited effect on the user, yet providing the creators with enough profit to release their own book internationally. Previously a free website, which was started as a project between a series of friends, it has turned it to a revenue generating Web 2.0 experience.
As has happened with many websites with Web 2.0, the success has most probably taken the group by surprise.
Probably the most well known website that this has happened too in the Web 2.0 timeline is Myspace.com. Over the timeline of around 3 years operation, Myspace infrastructure developed to 3 data centers, 2682 web servers, 90 cache servers, 60 database servers, 150 media processing servers, 1000 SAN storage disks, and consumes 17,000 MB per second of bandwidth. They were very close to being sunk by the popularity, however were luckily able to scale the infrastructure accordingly, as well as leverage the long tail with expansions in to music etc.
A final few questions:
Are we ready for Web 3.0
What Web 2.0 websites will fail to obtain high user volume through Web 3.0
Yours in Web 2.0,
Cameron
I will leave you with a piece of the best acting/line reading in the history of film.





